Mouse Smash

JC Lau's blog about geekery, gender and other rants


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Review: Falling Skies: The Game

The skies are falling so I'd better point my gun upwards.

The skies are falling so I’d better point my gun upwards.

Generally, video game spinoffs of TV shows are not very good. Falling Skies is no exception. Falling Skies: The Game is a turn-based tactical shooter where you command members of the 2nd Mass in their fight against Espheni aliens across a grid-based map. In between missions, you also manage resources, train your soldiers and upgrade their weapons.

If this sounds familiar, it’s because this game is essentially a watered-down clone of XCOM: Enemy Unknown, with cheaper-looking graphics and shoddy animation. Frustrating camera angles also make it difficult to do simple tasks such as taking cover, so your minions are left standing next to cover and get attacked. Additionally, the voice acting is laughably bad: when attacked by enemies, one soldier astutely exclaims “Ow! That hurts!” in surprise. Next, he’ll be telling me that fire is hot. Continue reading


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Review: Shelter

shelter2

Shelter is part parable about the cruelty of nature, and part parenting sim. You play a mother badger guiding her cubs across a vast wilderness fraught with danger. You cannot control the cubs, but they waddle alongside you, and it is up to you protect them from dangers such as wildfires, starvation, raging rivers and other predators. Continue reading


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Review: Middle-earth: Shadow of Mordor

Come Mr. Talion, Tally Me Banana

Come Mr. Talion, Tally Me Banana

You know the old saying: One does not simply walk into Mordor.

…Unless your name is Talion and you’re a ranger on a revenge kick and have a powerful elf wraith by your side.

Click here for my review of Middle-earth: Shadow of Mordor, written for Short Game Review.


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There’s bloodsucking and then there’s just… sucking: Review of Dracula Untold (2014)

Director: Gary Shore

Cast: Luke Evans, Dominic Cooper, Sarah Gadon

Genre: Action, Drama, Fantasy

Now with more bats than Batman

Now with more bats than Batman

Dracula Untold is a tale that should have stayed, well, untold.

The film, based on the life of the real Vlad the Impaler, is set in the 1460s, where Prince Vlad (Luke Evans) returns home from his impaling days to his wife and children, only to be ordered to provide 1,000 Transylvanian boys to serve in the Ottoman Army. Alas, Vlad doesn’t have an army to defend his kingdom. What to do? The obvious choice is, apparently, to wager with a creepy cave-dwelling vampire (who turns out to be Tywin Lannister from Game of Thrones) to gain his powers.

Unfortunately, Dracula Untold is confused about what kind of film it wants to be. On one level, it’s an awkward love story about Vlad as a family man. It’s also a war movie, although some of the imagery and cheap jump scares suggest that it might be attempting to be a horror film too. It’s also a tragic biopic : we know that despite Vlad’s best intentions, things aren’t going to work well for him. Oh, and there’s also a helpful etymology lesson on the origins of the word “Dracula” thrown in for good measure.

As a result, the film’s writing is laughably hokey, especially on the frequent occasions when it takes itself too seriously. Vlad’s not portrayed as a monster, but anything else with pointy canines is a threat that must be destroyed right away. Vampire clichés abound: they hiss at crucifixes, get flayed by the sun, and die on stakes (well, he is the Impaler), although are no cloves of garlic to be seen. The special effect with a swarm of CG bats is considerably impressive, but film logic means that those bats easily take out a full army in platemail without so much as anyone getting hantavirus.

Not surprisingly—and despite its attempts to depict Vlad’s family—the film is also extremely testosterone-driven: there’s only one instance in the entire 92-minute cheesefest of two women talking to each other, and even then it barely scrapes by on some variants of the Bechdel test (they’re talking about Vlad’s son). Still, the film limps along, cobbled together in Frankensteinish fashion, when it really should just be laid to rest.

Dracula Untold opens on October 10 in US cinemas.